Thursday, February 28, 2008
Tuesday, February 26, 2008
Awesome, Part Uno
As perhaps you can tell, I was the only client booked for this tour and in fact the first person who'd ever signed up for it. It was a relatively new trip on the company's roster. Chantal said they thought about canceling with only one booking, but I'd signed up so early, she decided not to.
You must also meet Ismeal:
He's on the right there with Dennis. He's originally from Cuba, co-owner of the tour company, and married to Chantal. After I met these two handsome devils in Playa del Carmen, we bussed it to Bacalar, Mexico, near the Belizean border. From that hotel balcony they're standing on, you could see this:
The Laguna Bacalar. Presumably there was bathing to be had in the laguna or even the pool, but we spurned them both and spent a lovely afternoon at the Cenote Azul, eating seafood on a cool patio and swimming:
Cenotes are sort of sinkholes, formed by the collapse of underground caves. They basically go straight down with no regard for one's need for gradual entry into the water. They are beloved by divers, apparently.
Later, we sampled some facts at the Museo del Fuerte de Bacalar (the Fort of San Felipe) -- an old fort built by the Spanish in 1733:
After a lovely night in our hotel -- there were two geckos in my room chirping at me -- Ismeal escorted Dennis and I to the border, explained how to navigate the border crossings, and put us on a bus to Guatemala. Several hours later, we arrived in El Remate, where Lou and Chantal met us and whisked us off to lunch at this Italian restaurant, minus any red-and-white-checked tablecloths and chianti:
Lou and I quickly bonded over, you know, America, and I had bruschetta for lunch. Afterwards, we walked across the road to Lake Peten Itza and went for a swim; Ismael had helpfully warned us to have swim suits at the ready.
I don't think I'll do the whole trip in one epic post, so more later. Next up? Tikal!
Sunday, January 27, 2008
See Jane Wrecked
Yes, love stories are mostly at the center of her novels, but to state what is apparently a sort of heresy, they are not the main point. Gillian Anderson has been given the task of introducing each show, and whoever is writing her copy is terminally clueless. Before the first show, she declared that the consuming theme of Austen's work was "the search for a soul mate." What rubbish! The big thing in the novels -- and it can't be shoved aside fast enough in these adaptations -- is morality. Austen makes a point of punishing pride, lust, greed, dishonesty, inconstancy. The objectionable characters do not win the heart of the discerning herione, or only if they change. Gamblers and drinkers fall ill. Rogues are exposed. Frivolous or silly people are their own punishment. And her people do not find their soul mates -- they find the mates they deserve.
I hate that Austen gets robbed of her depth and her real talent is not displayed. It seems like her books get written off as "romances," which is a very superficial way to describe them. Masterpiece Theater, you should stop screwing up these masterpieces!
Wednesday, January 23, 2008
Lynda's my Girl

Monday, January 21, 2008
Day Brightener
You cannot fail to love it!
Sunday, January 20, 2008
Buyin' Stuff

Saturday, January 19, 2008
Get Your Rage On

When someone works for less pay than she can live on--when, for example, she goes hungry so that you can eat more cheaply and conveniently--then she has made a great sacrifice for you, she has made you a gift of some part of her abilities, her health, and her life. The "working poor," as they are approvingly termed, are in fact the major philanthopists of our society. They neglect their own children so that the children of others will be cared for; they live in substandard housing so that other homes will be shiny and perfect; they endure privation so that inflation will be low and stock prices high. To be a member of the working poor is to be an anonymous donor, a nameless benefactor, to everyone else.